Santri Famiglia's

The Sakura Labyrinth

Luckily he had installed an offline translator before leaving. He used the app to figure out how to ask for the toilet, memorize it, and then practice it.

"Kocchi kara, massugu itte, hidari and magatte! Toire wa asoko Ni arimasu Yo!" answer the woman who was just asked.

He gave orders to Abrizar. If you want to go to the toilet, Abrizar must walk straight from his position in the designated direction. After that, turn left. That's where the toilets are.

Abrizar. He doesn't understand at all. He typed again and showed it to the woman.

Language of Indonesia :

"Sorry, I'm blind and don't understand Japanese. Can you take me to the toilet?"

Japanese translation language :

`Sumimasen, watashi wa momoku de nihongo ga wakarimasen. Toire ni tsuretteitte moraemasu?'

Abrizar tapped on the phone screen, hinting at the girl to read the writing there. Too long if he had to say it himself. Since the woman was in a hurry, she brought Abrizar to the station attendant.

"Ano, Ekiin san, moushiwake gozaimasen ga, kochira no kata wa toire e ikitai ndesu kedo me ga warukute hitori de iku no ga muri tte ...."

The woman asked the station staff for help. He explained about Abrizar wanting to go to the toilet, but the vision condition made it impossible for the man to find his own toilet.

"Hey, wakarimashita. Go annai shimasu," replied the station attendant willing to escort Abrizar.

"Arigatou gozaimasu." The woman left after saying thank you.

"Kochira and douzo!" The station attendant took Abrizar to follow him.

The officer took Abrizar to the toilet. He told the functions of things there by making Abrizar touch it. There's a toilet seat with knobs there. After understanding, Abrizar re-opened the phone.

"Mother can go back to father's place. From here I can do it myself. Thank you." type Abrizar which is translated in Japanese into `Anata wa anata no basho ni modoru koto ga dekimasu. Koko kara watashi wa afternoons o jibun de suru koto ga dekimasu. Arigat.'

The station attendant left after reading Abrizar's typing. Abrizar again groped the room he entered. There's only tissue and toilet seats. There is no water at all.

He came out, looking for the sink. "Meet!"

He immediately took off his shoes and socks. The wand was placed next to him. With great force, he wudhu in the sink. Next, he looked for a corner spot near the waiting chair.

"Bismillah, all the land belongs to God. All the land is sacred."

Abrizar worshiped in that place without regard to the presumption of people. He was solemn, although he did not know the direction of the Qibla. He just wants to carry out his obligations, even in this kind of emergency. As long as the situation is still possible, he will do it anywhere.

Abrizar decided to wait a little longer. He will leave if Sanubari does not come. Five hours later he waited for the teenager. Two o'clock in the afternoon less, then Sanubari appeared.

"Thank God I'll see you too." Sanubari hugged Abrizar.

After that, Sanubari always invites Abrizar to board the carriage for special needs passengers to anticipate events like this. Out of the station, they still have to be strayed for hours because Sanubari who sucked in reading the map. Sanubari deliberately took some maps provided free at each station. His intention was to ease the trip. The reality is not that easy.

The month has not yet entered April, but sakura is already in full bloom. The pink flower petals were scattered along the pavement that Sanubari and Abrizar stepped on. The young man stopped for a moment.

"Pretty. Like seeing an angel from the sakura tunnel," muttered Sanubari.

On the left is indeed lined cherry trees, forming a pink canopy that dangles into the green river on the right. The white fence that stretches on the right side also beautifies the view. Not to mention the sakura petals floating in the river, puddles on several sides of the sidewalk, as well as rainwater that still soaks the flowers add to the freshness of the afternoon.

In front of Sanubari, there was a girl in a white kimono with a red hakama. His jet black hair straight up his ass. He smiled holding the cherry blossoms that led to the river without picking from the tree. When the stalk is removed from the hand, water droplets wet the smooth white cheeks. The girl laughed, smiled, whirled happily like dancing, then ran.

Their distance may be a dozen meters, but Sanubari can see very clearly. That girl is so charming. Sanubari until not blinking.

"Come, Brother!" Sanubari took Abrizar's hand, took him running, chased after the girl.

"Yeah, Saanu! What the fuck are you? What's up?" exclaim Abrizar.

"There's an angel through!" answer Sanubari with his song while running.

Suddenly Abrizar made themselves brake. He hit Sanubari's forehead with his cane. He was angry with the behavior of the teenage boy.

"Aw!" Sanubari held his forehead.

"sorry. It's just like being hypnotized." Sanubari.

"Basic!" Abrizar grunts.

"Rest there first, yuk! Fatigued from earlier on the road." Sanubari again and again raided Abrizar.

They were sitting in a small armature of wood. Narrow, but looks comfortable and clean. Not far from there, there is a Shinto shrine entrance gate. Sanubari kept looking at the gate. That's where the girl disappeared.

Shortly after the two rested. Abrizar heard a voice he had memorized. The voice is very clear.

A man's voice called out, "Anki!"

"Okaeri, Chan onii!" Welcome the temple girl who still holds a broomstick to her sister.

Abrizar, who heard the voice, whispered to Sanubari, "You see who else is here but us?"

Sanubari stopped its activities. He was watching around. "Why indeed?"

"There's Shiragami Eiji here" whispered Abrizar again.

"What's? Where's?" Just sober Sanubari getting excited.

"Deflect your voice! If you see a man talking to a woman nearby, it's him. It's good if you can pay attention to it."

"Nobody's here."

Sepi, there was no one as far as Sanubari looked. Again, his gaze stopped at the temple gate. Remember the girl who disappeared there.

"Maybe ..," Sanubari took Abrizar to walk again, "I think I know where they are. Come on!"

Just arriving at the gate, Sanubari stopped his steps, his gaze fixed on the girl in white kimono with red hakama, her hair in ponytails. He smiled sweetly, displaying his teeth. Although he is Japanese, but his eyes look wide, add to the impression of cute. Sanubari. He's the charming angel that Sanubari chased before.

"There's a pretty girl here." The teenager smiled at him.

Abrizar menoyor the head of Sanubari. "Don't look at the girl! The guy who spoke to him was our target. You should be able to pull him to work with us."

"Hm, just walk away then yuk!"

Abrizar blocked Sanubari's arm. "Don't be rash! Who do you think you are? Just listen to their conversation! Who knows if there's another way to get close to him."

———©———

Note :

My writing style is fox, yes. What used to always include translations in brackets when there was foreign dialogue, now the meaning moves to the narrative. Just take the core.

You see, there is often a forgetfulness if you use open-close brackets. So, narrative is the same as dialogue. Foreign language only.

Anata : you

Call sir or father different again later. Since the words of the father written by Abrizar are equivalent to yours, the word father is translated as Anata.

Ekiin: station attendant

Well, this station officer if san is added behind it then the word san can be translated as sir.

Ekiin san: Station officer's desk

Not that san that means sir loh yes! The meaning can be adjusted. It could be Mom if it sticks to women. It can also be removed without being translated.

....

Ow hell! Sorry, Comrades! It's like there's a record of a language class here.