
Deva Putta assembled his army to infiltrate every port of the Galuh Sindula kingdom from the Malacca peninsula to the east of the vast Sunda Dwiva mainland.
Deva Putta planned a surprise attack in every major city and in every palace under the rule of prabu Jaya Sempurna throughout his territory.
While the naval fleet of Perak Spear led directly by Mara Deva and Pancasikan pounded directly towards the mainland Sunda Dwiva precisely Sundapura port in the kingdom of Tarumanegara.
While the Shan Land prince will attack through the air pounding with the power of the Black Fire Dragon fire in each city as well as lure Shun Land to chase after him until the concentration of Shun Land is split, so that the Shun Land concentration is divided, it is a trategic Deva Putta to destroy the entire power of the Kingdom of Galuh Sindula led by the very Sakti king.
Deva Putta used the previous experience to make the strategy this time more mature and more neat, the failure of the attack when attacking the capital of the kingdom Tarumanegara Sundapura city completely failed to become an important lesson, to devise a more perfect plan not only rely on strength but rely more on the power of compactness on all fronts.
The attack this time was meticulously designed by three Army forces, The Silver Spear Sea Fleet and air power by relying on the Fire power of the Black Fire Dragon will have a very strong gedor to corner the Shun Land to surrender because if there will be no slaughter in every corner of Negri Sundaland.
Prince Shan land or Prince Jaya Lelana was very satisfied to hear the strategy of Deva Putta because he himself had a plan to finish off the power of the Brother Shun Land by luring him to fight 1 on 3. In this plan Prince Jaya Lelana would lure Shun Land to a place where there had been waiting for Mara Deva and her own teacher Pancasikan, thus a victory that was only 45% to 75%, he said%, so the worry about the high science of Shun Land supported by the power of the Unrivaled heirloom Dragon Bergola sword and the skill of the Rajawali fire sword dance can be minimized.
In addition, Deva Putta also planned to sacrifice the Silver Spear naval fleet to distract the Earth Dragon Sabui, so if there was a battle of Shun Land against the prince Jaya Lelana, if there was a battle, Mara Deva and Pancasikan assisted the Black Fire Dragon, the Earth Dragon Sabui helped her.
Prince Jaya Lelana is currently very satisfied and feels very impatient to immediately control the entire territory of the former Sundaland kingdom of the legacy of the Great King Sundaland Jatiraga.
At this time Prince Jaya Lelana or prince Shan land only needs a few more stages to achieve power in 200 thousand circles that become absolute laden for perfection Ajian Rawarontek, the, because that way Ajian Rawarontek can be used up to five times, with the power of energy in up to 200 thousand circles of regeneration of body cells will be very fast as long as there are elements of soil strength that can be suctioned even if only a little.
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The Legend of the Fire Lord finally swooped down and perched on a valley on one side of the valley there was a high cliff, prince Makkamaru pointed towards the cliff.
"The rabbi over there Leang Tedongnge cave is located". Prince Makkamaru said showing the mouth of the cave in sight. Shun Land and Prince Makkamaru walk towards the mouth of the cave the path is very difficult and uphill.
Once inside the cave both pairs of eyes they were both wide-eyed to see a painting of a group of people who were hunting, and, shun Land's eyes searched for heritage objects to other places but did not find anything that there were only paintings of people hunting animals.
As seen from the strokes of the painting made by human hands, from the colors and lines of the painting it is clear that the painting was made tens of thousands of years ago.
Finally, Shun Land decided to meditate in the cave to reveal what legacy Sanghyang Tunggal really wanted to give him, Shun Land then said to Prince Makkamaru.
"Prince Makkamaru I am very confused, according to the prince of Cakrawala who gave this map I had to find the location of this cave and take a legacy from the ancestor of Sanghyang Tunggal but in this cave there is nothing that there is only a painting of people hunting pig animals, but I have a thought maybe the Single Sanghyang Ancestor wants to pass on something that is not in the form of objects but a science or message hidden in the painting, he said, therefore I will meditate in this cave to find clues about the meaning of the legacy hidden behind this painting".
"Well the Prabu. . I will wait for the prabu to meditate outside the cave with the Legend of the Fire Lord". Prince Makkamaru replied briefly. Then Prince Makkamaru came out of the cave, this action was taken so as not to interfere with Shun Land's meditation.
Shun Land looking for a place to meditate, finally he found a stone with a flat surface, fitting the position of the stone is not far from the painting.
Shun Land sat down cross-legged on the stone and closed his eyes, Shun Land began to meditate.
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(NB: In December 2019, a cave painting depicting a pig hunt in the Maros-Pangkep karst region of Sulawesi was found to be older, with an estimated age of at least 43,900 years. This remarkable finding is recognized as "the oldest known depiction of the story and the earliest known example of figurative art in human history."
Leang Tedongnge is a leang or cave in the Maros-Pangkep karst area, in South Sulawesi. This leang became famous immediately because of the findings of Adam Brumm, Adhi Agus Oktaviana, et al., which was published in Science Advances mentions there is a painting of pigs aged 45,500 years ago in this cave. The discovery makes the mysterious painting much older than the findings in Leang Bulu' Sipong Cave Painting 4 which is 43,900 years old.[1]
Thus, it is said that this cave painting is the oldest animal painting in the world.[2]
According to a report from the New York Times, this leang has actually begun to be researched since 2017. Leang is located 40 miles from the city of Makassar and for the entrance to leang is so difficult, the road is narrow. Said Dr. Brumm, as one of the researchers, the threat to this painting art is the exfoliation of cave skins that are feared to occur.)