NEPTUNIA (Hackin Hubrets")

CHAPTER 81 OSLO TRIP (3)

After completing their payment, they immediately exit the restaurant and walk to the Oslo opera house which is fifteen minutes from the restaurant. Along the way Fajrin's eyes can not be separated from the various architecture of the building they pass and occasionally rotate his body back and walk backwards. Fajrin does this to see the figure he suspects whether or not it still follows them and Fajrin's conjecture is correct, the figure was still following them but did not dare to act any more as the four bodyguards always walked behind them.

Arriving at the Oslo operahuset court area, Fajrin took out his cell phone and began documenting every outer corner of the opera house. The Opera House serves as the venue for ballet opera and the national theatre in Norwey, located in the Bjorvika neighborhood of downtown Oslo on the Oslo side of the Oslofjord. Operahuset is managed by the government agency Statsbygg which manages all the buildings belonging to the Norwey government. The building structure contains 1,100 rooms with a total area of 49,000 square meters, the main auditorium accommodates 1,364 visitors and the other two performance spaces can accommodate 200 and 400 visitors. The main stage is 16 meters wide and 40 meters long. The sloping exterior of the building is covered with marble from the Italian Carrara and white granite that makes it appear to rise from the surface of the water.

The Operahuset is the largest cultural building built in Norwey since the Nidarosdomen was completed around 1300.

Fajrin admired every corner of the building and unceasingly documented what made it interesting.

“ han er en architecture, sa han blir lett hypnotisert av merkelig architecture som dette (he is an architect, he is an architect, so he will be very easily hypnotized with a strange architecture like this) “ explained Barra on Zarya who sat on a row of waiting room benches.

While Fajrin has attracted Nara to always follow him and make Nara as a photo taker if Fajrin wants to appear in one corner of the building that he thinks is unique, and of course Ines also four bodyguards always follow in Nara's footsteps.

Fajrin raised his head to look up at the sky of the opera house. The roof of the building slants to the ground level, creating a large square that invites pedestrians to walk and enjoy the beautiful views of Oslo. The stage tower is covered in white aluminum, the work of the design of Lavaas and Wagle that evokes old weaving patterns. The lobby is surrounded by 15-meter-high windows with a minimal frame and special glass that allows maximum views of the water. The roof supported by thin-angled poles is designed so as not to disturb the view. The interior surface is coated with elk wood to give the impression of warmth in the room that contrasts with the coolness of the white exterior. The main auditorium is horseshoe-shaped and illuminated by oval chandeliers containing 5,800 handmade crystals.

The seats include monitors for the electronic libretto system, allowing the audience to follow libretti operas in Norsk and English.

Satisfied with the uniqueness of the operahuset building structure, Fajrin pulled Nara to the place where Zarya and Barra were sitting waiting for them.

“ now where are you going? “ first time Barra impressed to challenge Fajrin.

Of course Fajrin was happy to hear Barra's question and showed Barra his phone screen.

“ are you sure you brought Nara here? sure he won't be hot cold? “ asks Barra to convince Fajrin.

“ there are things I want to teach him “ said Fajrin while tucking his left eyelid.

“ la oss ga tilbake til bilen og dra til Vigeland park (well we go back to the car and to the Vigeland park) “ said Barra while pushing slowly on Zarya's shoulder that has been standing on the side Nara's.

They returned to the car park and headed to the Vigeland park which was ten minutes away from their car park area. Arriving at the Vigeland park parking area, Nara was quite surprised by this goal because the park featured a statue of a man without clothes.

“ we see first in do not think strange first “ said Fajrin who had pulled Nara's hand to get out of the car.

On foot they head to Forgner Park and see the Vigeland monolith. Forgner Park is a public park located in the West End region of Frogner Oslo, the history of this park is part of Frogner Manor noble house located in the south of the park. Both the garden and the entire region of Frogner and Frognerseteren were named after Frogner Manor.

Frogner Park contains a permanent statue created by Gustav Vigeland between 1924 and 1943, consisting of statues as well as larger structures such as bridges and fountains. At first the sculptural arrangement of the statue in Vigeland called the park Tortberg located in the center of the garden Frogner.

The 80-acre Frogner Park sculpture area features 212 bronze and granite sculptures, all designed by Gustav Vigeland. The 100-meter-long bridge connects the main door with the fountain. There are various kinds of statues depicting the emotional nature of humans adorning this area of the bridge. Of the dozens of sculpture on this bridge, the most famous statue of Sinnataggen or The Angry Boy. Fajrin really enjoyed the statues but there were times when Fajrin seduced Nara by showing statues of several small children playing with adult statues. At the end of the bridge is the Children's playground and a collection of eight bronze statues featuring children playing.

“ brother.... Nara wants to get pregnant again “ Nara's words make Fajrin stop documenting anything she sees.

Fajrin walked up to Nara and hugged her tightly.

“ try... brother is sure you will soon have children “ said Fajrin who still hugs Nara tightly.

Fajrin unravels his arms and grabs Nara's hands, taking her for a walk to the monolith park, the tallest monument in the Vigeland sculpture park. The 17-meter-high monument is decorated with 121 granite carvings of humans, men and women of different ages stacked on top of each other. For the top is decorated with children-shaped carvings. Monolith interprets the resurrection.

Occasionally Fajrin looked back to confirm his suspicions on the figure he had seen in the bookstore earlier.

“ she still follows “ Fajrin murmured while pretending to take photos of Nara while walking.

Up to a fountain with six statues surrounding the fountain as a symbol of life. bronze statues tell the cycle of human life from the beginning of life to death. All the statues in the Vigeland sculpture park are shown undressed. The artist thinks that the statue remains eternal, timeless. Because clothes can describe a time or an age.

Satisfied with the trip today, they rested at a restaurant right in front of the park. Fajrin deliberately invites them to take a seat at the outdoor table because Fajrin wants to pay attention to the figure he suspects. Sure enough the figure followed them even though their distance was quite far but still Fajrin could see clearly.

Fajrin walked up to Ines who was standing with four bodyguards, not knowing what Fajrin was saying but when Ines delivered Fajrin's words to the four bodyguards. One of the guards immediately contacted a colleague.